My post on songs that remind me of fantasy novels is here. Like I said, these book-to-song associations have more to do with the workings of my own brain than with actual plot or lyrical content. I know there are dozens of rock songs that directly quote or name drop 1984, but you’ve probably heard of those already. Here are some tunes that remind me of my favorite dystopias and space operas:
“Pompeii” by Bastille and Biting the Sun by Tanith Lee
Biting the Sun, originally published as the two novellas Don’t Bite the Sun and Drinking Sapphire Wine, is one of my all-time favorite dystopias. In this vision of the future, there are no evil overlords intent on oppressing the human race. Instead, there are just super-helpful robots who are intent on doing everything for us. Bored and disaffected by all the state-sanctioned hedonism, the heroine goes to great lengths to find authenticity in her own life. There is a volcano, actually, but that’s only a warm-up act to the disasters that take place later on, leaving the characters wondering what life after is going to look like.
“Team” by Lorde and the Uglies Series by Scott Westerfield
There’s something a little dystopian about a lot of Lorde’s songs—it seemed really fitting that she has a song on the soundtrack to the Mockingjay movie. “Team” in particular seems to speak to a life lived off the grid, breaking rules and living by your own code. Uglies, like Biting the Sun, imagines a world where humans are provided with every possible luxury and the chance to be inhumanly beautiful. Over the course of the trilogy, the main characters find out that there’s a hidden cost for all of it, and they have to decide if the compromise is worth it.
“The Gambler” by Fun and The Vorkosigan Saga by Lois McMaster Bujold
I spent the summer of 2012 working at summer school, drinking at bars, playing in bands, reading every book in the Vorkosigan Saga, and listening to the albums Aim and Ignite and Some Nights on a constant loop. It makes some sense, then, that I relate the music of the band Fun with the works of author Lois McMaster Bujold. “The Gambler” is one of my favorite tracks for a lot of reasons—the lyrical melody, the surprise French horn solo, and the way a 4-minute song manages to tell the whole history of a family. Bujold’s series is like that, too. Each book stands alone, but the saga taken together tells the story of Miles Vorkosigan and the people caught up in his orbit. The most recent entry, Gentleman Jole and the Red Queen, is my favorite book of 2016 so far.
“Hands Clean” by Alanis Morissette and Crystal Line by Anne McCaffrey
I’ve written before about my love for the audiobook of McCaffrey’s Crystal Singer trilogy. The last book, Crystal Line, is the only one I read in print before listening to. It was the winter of 2002, and Alanis Morissette’s “Hands Clean” was all over VH1, my preferred method for experiencing new music, at the time. The lyrics are about a young woman having a secret affair with an older man, rumored to be based on actual events in Morissette’s past. I was thirteen and I hadn’t had a job or a boyfriend yet, let alone a romance with my boss. But Killashandra Ree has exactly that in Crystal Singer. By the third book, that relationship gets swept under the rug thanks to circumstances that I find more chilling as I get older.
That’s my science fiction playlist. Enjoy your week, everyone!